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THE INDUCTIVE AND DEDUCTIVE METHOD in teaching grammar

Look at the photo above. Which one is better for learning? The teacher telling the secret of the mystery car OR the students studying the car and finding it out themselves?

The answer is at the very end of this article. Think carefully because it will reveal your attitude towards teaching grammar as well.

I know. Having studied English for many years at the university you are not supposed to lecture and shine with your knowledge in front of your class (= the deductive method). Let’s have a look at our options.

Why the inductive method? Because it forces the students to think hard. The more they crack their brains, the better they learn.

Earlier on we defined the two most common methods in teaching grammar:

“Most teachers know the term ’inductive method’ of teaching grammar, which means the formulation of the rules on the basis on examples. It is contrasted with the ’deductive method’ which means the teacher explaining the rules in detail and then letting the students practise and apply the rules. This is the easy way out in teaching grammar. The teacher thinks ’I taught you the rules and it is up to you to learn them. We need to move on.’ “

I will start by discussing ‘the inductive method’. In my opinion it is the one we can and should use in teaching nearly all grammatical points. The inductive method activates the students’ brains much better than the ‘deductive one’.

The advantages of using the inductive method

  • First of all, students remember the rule better if they themselves have worked it out from the sample sentences given to them.
  • Secondly, students become very motivated to solve the problem; it is a minor detective operation.
  • Thirdly, every student is given time to try to figure out the rule if the process is slow, and proceeds step by step.
  • The teacher can exercise his/her expertise in the matter by presenting the relevant questions when the rule is being formulated.
  • In most cases the process can be carried out in English but in some classes it may be better to use the mother tongue to make sure everyone understands the rule.

How does the process advance in using the inductive method?

For the method to be effective it is advisable to more or less follow the steps given below and allow differentiation in the exercise types at Stage 5 if necessary.

Stage 1: Pre-task 1 Play a board game where the students throw a dice (or roll a pencil with 1-6 dots on it) and can move onwards if they remember the 3 forms of about 20 verbs, regular and irregular ones. N.B. Always make sure the foundation for the next task is solid: Some irregular verbs must be mastered for Stage 2.

Stage 2: Pre-task 2 Have a ‘Find someone who …’ task in order to make the students use the structure to be learnt many times. The structure to be learnt is The 2nd conditional.

What would you have done, if the school had been closed today?

ActionName if ‘YES’
I would have gone swimming.
I and my friend would have played computer games.Peter
Me and my dad would have eaten lunch together.Jill
I would have written our home essay.
I would have slept a couple of hours more at home.Shirley

Stage 3: Look at the examples below and work out the rule for the main clause and for the if-clause.

The main clauseThe if-clause
I would have gone downtownif the boss had given me the task.
My mum would have taken dad’s carif it had been in the garage,
What do these two clauses have in common? (= KEY QUESTION!!)
(would have + verb)
How would you translate the clauses? ‘olisin mennyt’ ‘olisi ottanut’
What do these two if-clause have in common? (the pluperfect tense)
How would you translate the clauses? ‘olisi antanut’ ‘olisi ollut’

Stage 4: Let’s formulate the rule for the 2nd conditional

The road to the formulation of the rule is clear if the students spot which pattern the sample clauses have in common.

The main clauseThe if-clause
would have + 3rd form of the verbthe pluperfect tense = had + 3rd form of the verb
‘olisi tehnyt’‘olisi tehnyt’

Now the Finnish students would notice that the Finnish language does not make any difference between the main and if-clauses and for them that is the point to bear in mind. In addition to the rules, of course. In other languages the situation may be different. In any case, comparison with the mother tongue is often very useful.

Stage 5: The if-clause can be in front of or after the main clause but do not reveal it to the students. Let them fall into the ‘trap’ when they do the first exercises and they will remember the application of the rule better.

Practice session; just like we have learnt before there should be 3 kinds of tasks for the sake of differentiation. The students will do i), ii) or iii) or all of them. See the samples below as a reminder!

i) A mechanical task (a gap filling exercise, isolated sentences with no context)

I don’t understand why you said nothing. I ___________________________ (tell) him the truth, if he __________________________ (ask) me anything about it.

Why did they not let us know they were not coming? If they _____________________ (call) us, we _________________________ (leave) the party immediately.

ii) Semi-communicative exercise (a realistic context but no freedom to write creatively and use the 2nd conditional forms)

There was a robbery at a local grocery store last week and three students are discussing what they would have done if they had been in the shop at that time.

Malcolm: I ______________________________ (hide) behind the shelves and if it _____________________________ (be) possible, I _________________________(call) the police quietly.

Anne: If I __________________________ (see) the robber, I _______________________ (write down) what they looked like and how they spoke.

Cary: I ______________________________ (try) to be quiet and I ______________________________ (take) photos from my hiding place. It _____________________________ (be) very dangerous, if the robber _______________________ (see) me doing it.

iii) A real communicative task (a realistic situation/context and freedom to be creative about the content)

There was a boat accident on a lake near your school yesterday and you are talking about it with your class mates. Write at least four things you would have done if you had been there and had seen what was going on. Include at least two if-clauses in your story.

How does the process advance in the deductive method?

The decuctive method is very easy to use but in my opinion should not be used too much since the students do not need to crack their brains very much when the teacher is explaining the rules.

There are, however, a couple of cases when the use of the deductive method is justifiable:

  • The rules might be too complicated for the students to work out. (For example, changing ‘direct speech’ into ‘indirect speech’ includes far too many little details to be taken into account.
  • Working out the rules might take far too much time.
  • The class is not accustomed or able to formulate the rules, not even when it is done in the mother tongue.

If we look at the stages above, in the worst case a teacher in favour of the deductive method might skip Stages 1 – 3 altogether, explain the rules at Stage 4 and offer mere mechanical exercises in Stage 5.

All in all, hopefully you have now a better idea how modern CLT teachers deal with grammar and treat it as an essential part of foreign language learning.

The ‘car’ is not a real car at all but a piece of art in New York made mostly of recycled tyres.

TEACHING BEGINNERS WRITING, differentiation

Use some pre-tasks to stir the imagination of the students before you ask them to write anything. Photos are excellent in this respect.

Learning a foreign language is usually started with listening and speaking. The words and phrases learnt may be shown as visual stimuli but actual reading and writing takes place a bit later when the students are given a textbook.

Writing in its simpliest form means

  • writing down or copying words, word lists or short sentences; the teacher shows a picture and the students write the word for it; the teacher says words aloud and the students write them down, etc.
  • dictation: the teacher reads simple sentences or stories and the students write them down, filling in words in a text with gaps or some missing words in a song
  • writing down simple sentences either copying them from the book, copying part of the sentence and changing part of it
  • elaboration: students make sentences or simple stories using some words given to them
  • free creative writing: the students write a fictive story using or ignoring the prompts given by the teacher

All in all, writing starts from individual words, continues in writing simple sentences which at its best are creative in the sense that they are not copied from the textbook chapters. Learning to write well is a long process and both teachers and students have to be patient until the very end of studies.

At the beginning pupils need a lot of guidance from the teacher but as they get older most students benefit from being allowed to be creative and all they need to get going is a set of titles or pictures to choose from.

Differentiation in mixed-ability classes

However, all teachers know that there is a tremendous variation in writing skills in mixed-ability classes. Let’s have a look at the following example and see how the teacher can differentiate the writing task so that the pupils can work at their own level. They know how past tenses of regular verbs are formed and some 30 irregular past tenses.

The formula of differentiation is simple

  1. Revision is done the previous lesson on vocabulary and the grammatical point we wish to emphasize. The topic has to be based on the chapters that were recently studied.
  2. A couple of oral pre-tasks are done in pairs or groups at the beginning of the writing session as a reminder.
  3. Three (or two) choices how to get started with writing. The only difference is in how much of the guidence provided by the teacher the students are making use of.

For example Title: Last summer Be as creative as you wish.

Pre-tasks: The idea is to force 6th graders to use the past tense in telling what happened last summer. The past tense was practised the previous week but we will do a couple of warm-up exercices as a reminder.

Many students find it hard to get started with writing so we need to stir their imagination a bit with some pre-tasks, A) and B) below.

A) The students change a story on the screen written is the present tense to the past tense. It is an oral exercise done in pairs. The second time the students do the same thing but have to change something in every sentence. (5 min) In other words, the mechanical 1st version is turned to a semi-communicative more creative version.

Jane likes to go shopping on Saturday mornings. She usually goes to town by bus but sometimes she takes her own car if she plans to buy some big things. It is eight o’clock and Jane gets up, brushes her teeth and makes morning coffee. She also drinks some water and eats a banana and two sanwiches …
The story is unfinished here and would need 3 – 4 sentences more. If the students do not know the answers, they need to negotiate between themselves and finally consult another pair or the teacher. Some students get only the 1st reading done, others maybe have 3 different versions.

B) The students get into groups of four and make a mind map on what they could write about. 5 min planning. Something like this, just throwing in ideas that can be used or ignored.

C) Write a true or imaginative story of what happened to you, your friends and/or your family last summer. Choose any of the three options below.

Choice A Choice BChoice C (the easiest one)
Feel free to write a creative story. It does not have to be true.You may use the beginning of the sentences below as part of you story. 1) Answer the questions OR 2) Fill in the story with any ideas that please you. The first letter or two are sometimes given to you. You are welcome to write sentences of your own too.
Last summer I and my best friend went to … because we …
First we … the train to …
Secondly, we …
After four hours we … because …
When we came back late in the evening we …

The next week me and my family ….
We … there by … and the following morning we … because …
1) What did you do last summer and why? Where did you go and with whom? Pick four places and explain about them. How did you get the money for ? Why did you go there? How did you get there and back? What were the best things you did there? … OR
2) Last summer my family m… a trip to … and we stay… in a ho… for … days. We sw… in the swimming pool for many ho… and at lunch time we we.. very hungry a… like a horse. My mum w… to the nearby village and bo…. herself some new clothes. My dad likes reading so he r… some short stories when we we… swimming.
Just before we le… the hotel on the last d…, we pick… up apples and strawberries. They co.. very little. My dad dr… us back home and …
A week later we …
The best thing last summer was when we …
When school started …


(Surprisingly many students give up this choice because it is not creative and because the modified cloze text (2) actually requires reading comprehension and a lot of thinking.) In most classes Choices B and C might be enough.
Choice A is for advanced students, B for average ones and C for weaker students. Still, we let them choose any of the options. The more there are sentences and ideas produced by the student him-/herself the better, He/she has to be rewarded with higher marks.

At first glance this kind of differentiation may seem troublesome but if you think about it from the students’ point of view, it shows that you care and try to make writing a more pleasant experience for them. Especially the weak writers need a lot of support and ideas. On the other hand, this way we do not tie the hands of more advanced students.

How does one evaluate stories like this?

This is an interesting question but I like to keep things simple.

Teacher evaluation: In our Finnish system we use grading 4 – 10. 10 is the highest grade and 4 means failure. This is what I tell my students:

  • Choice A suggests you are heading for Grade 9 or 10.
  • Choice B implies you wish to get Grade 7 or 8
  • Choice C basically means you aim at Grade 5 or 6
  • BUT the evaluation is not that simple since everyone can use the ideas given in Choice B and C. Therefore I simply have to consider the level of creativeness and language in general because someone who makes use of Choice C may well come up with a perfectly original story and deserves a high grade.
  • On the other hand, someone who chooses Choice A and writes an appaling story does not deserve a high grade.
  • SO, in the end I am simply using the national criteria in giving the grades but take into account how much the writer leans on the guidance given.

Student/Peer evaluation in writing

Letting the students read each other’s stories and assessing them is a delicate process of its own. In my opinion the students find it very interesting and it is great to have a group of other people who read the story in addition to the teacher. However, note the following points:

  • Ask the students not to write their names on the papers. The writers draw a symbol on the paper to identify their work later on.
  • Young students can indicate with some positive symbols how much they liked the story. 1 – 5 stars or roses, etc.
  • Junior high students (ages 11 -15) can use positive symbols and write only positive comments about the story. If they do not understand something they can put a question mark (?) in the margin.
  • Some junior high classes might be mature enough to give some constructive feedback also on the challenges or the ways the story could be made better. They might even be able to suggest the grade if they are familiar with the criteria/rubric.
  • The assessment can also be done in (randomly selected) pairs.
  • All the feedback is done in class before there are any teacher’s markings on the papers. The teacher moves around the class when the ‘assessment’ is going on because this is a dead-serious business and nobody’s feelings are to be hurt.
  • Senior high students benefit a lot if they are allowed to assess each other’s stories, essays or any other type of written assignments.
  • They will 1) get a realistic view on how good writers they are compared with others, 2) They will learn to interpret the criteria better and realize which writing skill elements they need to improve themselves, 3) They will have to think carefully how to apply all the advice given to them by the teacher. 4) They will be more motivated to write the texts since they know someone else than the teacher will be reading them too.

I hope you now realize how different the writing process becomes if it is done at least roughly as I suggest above. To me the benefits are undeniable and in the long run the teacher’s workload is not increased.

GRAMMAR in the ‘GOOD old days’

Most of the things done in the old style in teaching grammar were perfectly ok and are valid even today. We simply made a mistake by stopping half way through: unfortunately we were pleased with mechanical written exercises and ignored creative tasks and oral practice.

Up to the times of the introduction and first applications of CLT principles in the early 1980s grammar was mostly taught using the deductive method. The all-knowing teacher revealed the secret rules one by one and they were applied right away but only in writing. (Sorry, I am being sarcastic.) The grammar exams were also only in writing.

The good thing about the teaching of grammar was that at its best it was done very systematically. Hunting down my treasures from the 1980s I found the following example on teaching the present tense of the passive voice. Part of the text is in Finnish since mother tongue was often made use of in those days. But I still think you can get my point when you look at the original exercises taken from SIIE series published by an excellent educational publisher WSOY, Finland.

N.B. I’d like to point out that there was or is nothing wrong in teaching the present tense passive voice the way it is presented below. The only problem is that 1) we used to stop too early and 2) were pleased with mechanical exercises and 3) we had no real communicative tasks.

How the present tense in the passive voice was taught in the ‘good old days’

There were three things done before the students were given the exercises below.

  1. We made sure the three forms of irregular verbs were mastered. It they are not, the whole thing collapses. It is still the same today.
  2. We studied a chapter in the textbook which had plenty of these structures and the word list had a translation of them to make understanding of the chapter easier. This is still often the case in CLT lessons.
  3. The teacher explained the rule to be applied and told that in the passive voice we do not know exactly who does the action. These days we start with an oral pre-task and prefer the inductive method to get the students more involved and to enhance memorization of the rule.
ENGLISHFINNISH
AM
IS + 3rd form of verb
ARE
-taan, -tään
-daan, -dään
ostetaan, syödään
2 words1 word
Negation with the word ‘not’

An example of a well-structured exercise from the 1980s

The rule could easily be formed on the basis of the first 5 sentences.

Exercise 1 above intensifies the memorization of the mother tongue structure and checks if the student recognizes the corresponding structure in the English sentence.

Exercise 2 is excellent in demonstrating the difference in meaning of the corresponding active and passive structure. It will keep the students on their toes with this structure. Once again we are on the level of recognizing the structure.

Exercise 3 is another excellent task. The writer of the task has anticipated one of the main problems weak students are going to face: choice between ‘am, is, are’. It is hard for some students to grasp that ‘tea’ is 3rd person singular, the same as ‘it’ or ‘tins’ is the same as ‘they’.

Exercise 4 is a very typical gap exercise used in testing the knowledge of just about any grammatical structure. If you have read my previous articles, you realize that stopping here is a mistake because we are still at the level of mechanical application of the rule. Why? Because there is no relevat context, the sentences are not logically connected and there is no chance for the students to produce creative sentences of their own with this structure.

Drills seem to be out of fashion but I think they could often be used orally to give another perspective to the new structure. Besides they do not take a lot of time.

One thing that I have barely mentioned in my articles are drills. They used to be very popular in the 1970s and 1980s but somehow they have disappeared. I think textbook writes started to think that they themselves sound oldfashioned if they recommend or include drills in their books and left them out altogether.

I think this was a mistake and anyone who looks at the exercise below where one has to covert an active voice sentence into the passive voice realizes that a learner has to master a lot of things before he/she can apply the rules in a realistic exercise/conversation.

Yes, it is not what we normally do when we talk but it enforces the application of the passive voice rules and can be done orally in pairs in just a few minutes. In brief, an oral drill can be a very effective intermediate task before a real communicative exercise.

This kind of drills were often practised and recorded in language laboratories in 4 stages. Yes, it looks boring and was boring and therefore probably dropped out of fashion.

Teacher: Tom speaks English.
Student: English is spoken by Tom.
Teacher giving the correct answer: English is spoken by Tom.
Student repeats it: English is spoken by Tom.

Still, I think we could use drills more than we actually do today.

  • Drills do not take a lot of time if done orally and checked in pairs or in a group.
  • What I like about them is that the students can visualize the changes that they have to make.
  • If needed the teacher can work on simple drills with the low-achievers while others are doing more demanding exercises.
The model at the top of the slide shows what needs to be done: start with the underlined object, keep the tense the same and express the agent with a ‘by’ structure.
Model-based drills from the early 1980s. They were the only kind of oral exercises we used to do in lessons or in the language lab.